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Date : 3 juillet 2024
Chercheur(s) Intervenant(s)
Co-Intervenant(s)
Date : 28 juin 2024
Chercheur(s) Intervenant(s)
Co-Intervenant(s)
Date : 20 juin 2024
Chercheur(s) Intervenant(s)
Académie royale des Sciences, des Lettres et des Beaux-Arts de Belgique
Rue Ducale 1, 1000 Bruxelles, Belgique
salle Marie-Thérèse, sous réserve de modification
Les architectures fictives représentées dans des tableaux, des cycles de fresque, des marqueteries ou des tapisseries n’ont pas encore profité d’une étude systématique et leur potentiel pour une meilleure compréhension de l’évolution des typologies et des langages architecturaux reste à exploiter. Notre communication se penchera sur la fonction, la signification et le développement d’un choix de témoignages pendant la Renaissance italienne. La relation, en fait plutôt l’interdépendance, avec la pratique et la théorie de l’architecture revêt une importance particulière et, parfois en liaison avec des concepts du néo-platonisme, les peintres-architectes se sont servis des édifices imaginaires pour développer des tentatives d’appropriation de modèles provenant de l’Antiquité. Ainsi cette approche, répondant à une préoccupation de l’âge de l’humanisme, encourage des expériences qui, dans l’art monumental, se heurtent fréquemment aux conditions matérielles. De surcroit l’étude des architectures peintes est susceptible de révéler des relations encore inconnues entre des peintres et des architectes, ainsi que des dialogues entre certains des plus illustres artistes de cette période, Mantegna, Leonardo, Botticelli, Perugino, Bramante, Raphaël et Baldassarre Peruzzi.
Date : 17 juin 2024
Chercheur(s) Intervenant(s)
Chercheur(s) Intervenant(s)
Co-Intervenant(s)
Colloquium organized by the Institute of Art History, Czech Academy of Sciences (IAH CAS), as part of the program “Strategie AV 21” of the Czech Academy of Sciences, in cooperation with CEFRES French Research Center in Humanities and Social Sciences (Prague), École Pratique des Hautes Études – PSL (Paris), Institut für Kunstgeschichte der Julius-Maximilians-Universität (Würzburg), Bayerisch-Tschechische Hochschulagentur (Regensburg), Politecnico di Torino, DAD, CSELT (Turin), Universidad de Jaén, Charles University (Prague), National Gallery (Prague).
Program
Tuesday, 11 June 2024
CEFRES — Na Florenci 3, Praha 1
09.30—09.45
Introduction
Claire Madl (CEFRES, Prague)
Sabine Frommel (EPHE – PSL, Paris)
Eckhard Leuschner (University of Würzburg)
Taťána Petrasová (IAH CAS, Prague)
09.45—11.45
Panel 1
chaired by Sabine Frommel (EPHE – PSL, Paris)
Miguel Ángel Carrasco Sánchez (University of Jaén)
The Benavides Family as Promoters of Renaissance Architectural Language in the Old Kingdom of Jaén
Gabriel Pereira (University of Coimbra)
The Different Stages of Renaissance Architecture: Joao de Castilho’s Work in Tomar
Jakub Kříž (Masaryk University, Brno)
The Renaissance Portal of the Olomouc Town Hall and the Problem of the Antique Mode in Moravia in the 1530s
Pablo Ferri (EPHE – PSL, Paris)
Medicean Villas in the Annunciation During the Italian Renaissance
11.45—12.00
Coffee break
12.00—13.30
Panel 2
chaired by Pedro Antonio Galera Andreu (University of Jaén)
Felix Schmieder (PALAMUSTO, University of Warsaw)
Living Between Cultures: Renaissance Residences of Catherine Jagiellon in Poland and Sweden
Lucía Pérez (EPHE – PSL, Paris)
Diego Siloé and His Contemporaries: Some Thoughts on Funeral Chapels
Mariia Ovsianikova (EPHE – PSL, Paris)
The Imaginary Temple: Constructing the Identity of the Christian Temple in Italian Painting of the 15th–16th Centuries
13.30—14.30
Lunch break
14.30—16.00
Panel 3
chaired by Eckhard Leuschner (University of Würzburg)
Clara Giorda-Léoni (EPHE – PSL, Paris)
The Hanged Man: A Visual Discourse and Exploration of Capital Punishment
Christina Hablik (University of Würzburg)
Transfer and Transformation of Pictorial Ideas: The Likeness of Julius II as a Means of Propaganda in the Conflict Between the Papacy and France (1510–1513)
Annemarie Graf (University of Würzburg)
The Prints of Previous Centuries: Collecting Renaissance Prints in the Second Half of the 17th Century
16.00—16.15
Coffee break
16:15—18.15
Panel 4
chaired by Taťána Petrasová (IAH CAS, Prague)
Corinna Gannon (Städel Museum, Frankfurt am Main)
The Material Hybridity of Rudolfine Kunstkammer Objects and the Notion of Universality
Tadeáš Kadlec (Charles University and IAH CAS, Prague)
Count Michna’s Palace in Prague: Its Origins and Meanings
Robert Seegert (University of Würzburg)
Renaissance Paintings Collected by High-Ranking Clerics in Southern Germany During the 18th Century: The Example of the Würzburg Prince-Bishops
Adéla Bricínová (Charles University, Prague and EPHE – PSL, Paris)
Projects for the Reconstruction of the Castle in Bečov nad Teplou: Castles in the Sky by Duke Alfred Beaufort-Spontin
18.15—18.30
Closing remarks
Wednesday, 12 June 2024
Institute of Art History, Czech Academy of Sciences — Husova 4, Praha 1
09.30—10.15
Historical Photographs of Renaissance Architecture in the IAH CAS Collection
Tour of the collection with the curator Petra Trnková (IAH CAS, Prague)
10.30—12.00
CEFRES — Na Florenci 3, Praha 1
Panel 5
chaired by Valentina Burgassi (Politecnico di Torino)
Tomáš Murár (IAH CAS, Prague)
Weltgeist or Weltanschauung? The Search for the Meaning of the Italian Renaissance in Late 19th Century Art History
Lorenzo Fecchio (Politecnico di Torino)
The Anglo-American Rediscovery of Italian Renaissance Gardens
Valeria Sedleryonok (The Giorgio Cini Foundation, Venice)
The Art of Reception: Venetian Renaissance Painting as Seen in Early 19th Century Venice
12.00—13.30
Lunch break
13.45–15.00
National Gallery Prague, Waldstein Riding School — Valdštejnská 3, Praha 1
Exhibition: From Michelangelo to Callot. The Art of Mannerist Printmaking
Guided tour with the main curator Alena Volrábová (National Gallery Prague) and co-author Sylva Dobalová (IAH CAS, Prague)
15.30–18.00
Prague Castle, Summer House Belvedere, Ballroom — Mariánské hradby 52/1, Praha 1
Richard Biegel (Charles University, Prague) and Sylva Dobalová (IAH CAS, Prague)
Renaissance Architecture and the Context of the Emperor’s Gardens
18.00–18.15
Closing remarks
Date : 7 juin 2024
Chercheur(s) Intervenant(s)
Co-Intervenant(s)
1.30 pm EPHE PhD Candidates (total 50 mins.)
Céline Pisseloup, The teaching of the carpenter master manuscript Shōmei 匠明 (10 mins.)
Liu Heng, Church Art in Macau, 1582-1644. (20 mins.)
https://moodle.uniheidelberg.de/mod/assign/view.php?id=1100127
Xiao Wu, Hospitals in Italy during the Renaissance (10 mins.)
Hui Wang, Representation of architecture in Italian Renaissance Paintings [MA Student] (10 mins.)
Q&A
2.35 pm Heidelberg PhD Candidates (5 mins. ea., total 45 mins.)
Wang Fengyu, Reproductions of Japanese Illuminated Handscrolls from the Meiji to the Digital Era, 1868-2021
Wang Jialu, China’s Artistic Diaspora in the Context of Nation Building, 1912-1949
Qiu Wenzhuo, The Changing Landscape: Scientific Realism and New Methods for Depicting Scenery in Early 20th Century
Wang Yuechen, Exploring Transcultural Dynamics in Modern Tibetan Art with Special Attention on Han Artists’ Practices and Indigenous Responses
Mei Lin, Buddhist Pantheon in Cave Shrines, 5th-8th c.
Yu Haoming, [Chinese lang only] Transformation of China’s Art Institutions, 1945- 1947 China
Li Chenqi, Starry Sky and Prosperous Earth, Tomb Art and Ritual Practice in Eastern Han China, 1st-3rd Centuries
Wang Hui, Super Flat, The Avant-Garde of Flatness, Cartoon, and Toys: Global Contemporary Art Post-1989 and Metaverse of the Spectacle
Sono Yuan Werhahn, On Censorship of the Body in Contemporary Japanese Art (2014-2019)
Q&A
Coffee break
4.15 pm Seminar: Prof. Dr. Sabine Frommel,
Les relations entre l’Empire ottoman et la Renaissance italienne dans le domaine de l’architecture sacrée
Date : 22 mai 2024
Chercheur(s) Intervenant(s)
Chercheur(s) Intervenant(s)
Processing Memory in Art History and Heritage – Politiche delle arti e memoria collettiva
a cura di Irene Baldriga e Marco Ruffini
15 – 16 maggio 2024
dalle ore 09.30
Roma, Accademia Nazionale di San Luca
International Conference on the Historical Process of Cancellation and Manipulation of Images and of their Impact in the Elaboration of Cultural and Political Identities promoted by Sapienza Università di Roma, in collaboration with Ecole du Louvre, Equipe Histara (EPHE-PSL, Parigi), Centro de Estudios Museo del Prado.
